Thursday, November 15, 2012

Battling complacency: Roman Catholic priest goes for rock-concert church size

Brazil Big ChurchBrazil’s “pop-star priest” is already packing in the crowds at the newly opened mammoth sanctuary that he built for his campaign to stem the exodus of faithful from the Roman Catholic Church in Latin America’s biggest nation.

Brazil still has more Catholics than any other country in the world, with about 65 percent of its 192 million people identifying themselves that way in the 2010 census. 

But that is down from 74 percent in 2000 and is the lowest since records began tracking religion 140 years ago.

That’s where Father Marcelo Rossi’s Mother of God sanctuary comes in. 

The not-yet-finished structure will seat 6,000 people and have standing room for 14,000 more, church leaders say. 

In addition, the grounds outside can hold 80,000 people who could watch Mass on outdoor video screens.

After the inaugural Mass a week ago Friday attracted upward of 50,000 people, a beaming Rossi told reporters: “They couldn’t all fit in. There was a crowd that had to stand outside! That’s a sign we’re on the right path, and it’s this sanctuary.”

Similar numbers jammed into the huge church Saturday.

It’s a fitting stage for Rossi, a Latin Grammy-nominated singer who is known for tossing buckets of holy water on worshippers and performing rollicking Christian songs backed by a blasting live band during Mass.

The church sits on 323,000 square feet (30,000 square meters) of land. 

Church officials declined to confirm how big the actual building is, though local reports put it at 91,500 square feet (8,500 square meters). 

That would make it one of the world’s 10 biggest churches. 

A cross soaring 138 feet (42 meters) into the air is the focal point.

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The Mother of God sanctuary is anything but traditional. 

Designed by noted Brazilian architect Ruy Ohtake, it has a wide-open layout giving it the feel of a warehouse. Concrete walls hold up a sloping blue roof that from the outside looks more like a basketball arena than a house of worship. 

With the church several years away from completion, white plastic chairs were in the place of pews for a lucky few thousand to grab a seat. The rest had to stand.

Rossi dismisses the idea his huge church is a response to the explosion of the evangelical Christian faith in Brazil. 

Rather, the priest seems to be battling what recent studies indicate is Catholicism’s biggest enemy: indifference.

While millions of Brazilian Catholics joined Pentecostal congregations in the 1990s, a study conducted last year by Brazil’s Getulio Vargas Foundation based on census data found that the Catholics leaving the church these days are mostly becoming nonreligious. 

Experts have said the trend of Brazilians deciding organized religion isn’t for them poses a more potent threat to Catholic leaders than losses to the Pentecostals.

Rossi chose to open his new church on the Brazilian holiday of Finados, the nation’s version of the Day of the Dead. “A day, a day that was dead, was transformed!” the priest told worshippers during the service, using his gold-plated microphone.

The “pop-star priest” is seen by Brazilian Catholicism as its biggest weapon against the lack of interest, and his new sanctuary adds to his tools of best-selling books and music recordings to keep worshippers interested in what many complain has become a staid institution.